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Knowledge Is Unlimited
Velikovsky And His Visions*
Jim Kirwan
1-24-8
 
Thanks Jeff, for bringing this brief video to a wider audience. Back in the mists when my work just beginning to have a global following, I happened on the work of Velikovsky and I was both humbled and amazed.
 
I wrote to a prominent, and popular, magazine of the time who specialized in the promotion of science and things scientific; asking them to commission illustrations, that would both amplify and expand on what Velikovsky's books contained.
 
The response I got was brief and nasty ­ it seemed that to them Velikovsky's work was not only heresy but totally and completely wrong. By implication the publisher noted that none of what Velikovsky had written could ever be proven, hence 'their reputation in the field would never permit them to even consider underwriting such a wildly fantastic series of ideas ­ or paying to print illustrations of such scientific heresy.'
 
I was stunned because I thought science was about investigations that did not begin with a bias, but with a strong desire to seek-to-know-more about whatever the answers to any given study might uncover.
 
But I was also half the age I am now, and far more naïve about real power struggles inside the various professional circles, especially when they might fund could affect the financing of the "culture." ? Upon further reflection, on a later project, I realized just how much art and science share in the cultural growth and expansion of the human race. Both disciplines are about knowledge and pushing the bounds of human understanding: They often approach their topics differently-but their goals remain the same. Science builds on a series of proofs that need to be established as the scientist moves toward his or her discovery. Artists on the other hand often are capable of great leaps that have little basis in pre-existing facts-as their work tends to involve more of an instinctual intuition surrounding their 'knowledge' than is comfortable for many scientists. Yet both disciplines have far more in common that they do in opposition. And when Art & Science work together as they often did during the Italian- Renaissance, the results for the culture can bring tremendous benefits that exceed the local political and social norms, of any society in which they are able to work together.
 
Had I been able to pursue the idea of illustrating Velikovsky then, my world would have been much different than it is ­ but what science might have began to look more closely for, much earlier, might have made a real difference for us all. The lasting values Velikovsky outlined for us might yet bring us all a deeper and richer appreciation for what life on this planet was: and by extension ­ what it still could be: IF and only if we can ever get past all the superstitious beliefs that tend to surround anything that cannot be immediately seen or touched with an open hand-then real breakthroughs are possible.
 
 
 
 
Knowledge ­ Real Knowledge ­ Is the key to the kind of freedom that the human race has always searched for. Primitive nomads began by using the heavens to understand the movement of the stars, in such a way, as to be able to navigate the deserts and the oceans: These barriers had formed the boundaries that restrained the earliest peoples on the planet. But as that knowledge was expanded, into Astrolabes** and Compasses the entire world opened to those with the courage to explore it.
 
In a similar fashion if mankind today understood the forces that changed our early world so dramatically (as Velikovsky describes it in: "Worlds in Collision") ­ then the leaders of many countries might now wish to rethink a great many of these folly's being offered to us by the New World Order!
 
The number of times that the poles have shifted, or the fact that underneath the arctic tundra lies the fossilized remains of tropical rainforests ­ not to mention the caves around the planet that are filled with the mixed and shattered remains of ancient animals and human remains, along with flora and fauna from widely disparate places - that were all destroyed at the same time and carried to their final resting places by either tidal waves or horrific winds. Most of these natural burial grounds have never been seriously examined. If we knew more about the events that caused those things, then obviously we might be better prepared to deal with events that have directly impacted the planet before. Instead of looking for these answers, too often, science has retreated to the safety of a maxim that claims that the universe is unchanging and is timeless in the stability of its laws.
 
Velikovsky has stood for decades as a crier in the wilderness-of- ignorance: maybe now his time has come!
 
This world needs far more answers than we have at the moment, and we need to rediscover that spirit that is not afraid to ask the tough physical questions and to "go where no man has gone before" ­ if we are to ever have a real sense of this world that we continue to destroy.
 
kirwanstudios@sbcglobal.net
 
*Velikovsky, Hero or Villain? Plasma Cosmology Astronomy http://uk.youtube.com/watch?v=-hNje6W7NWo
 
**The Astrolabe http://www.astrolabes.org/
 
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