SIGHTINGS


 
Knights Of Malta
Bare Their Secrets
By Richard Owen
The Times [London]
From Gerry Lovell <ed@farshore.force9.co.uk>
9-19-98
 
 
THE Knights of Malta, a powerful but enigmatic organisation whose traditions and rituals date back to the days of the Crusaders, this week opened its Rome headquarters to the public.The decision to reveal what lies behind the doors of the Grand Priory of the Maltese Order, high on the Aventine Hill above the Tiber, is seen as part of a move by the order to "open up to the world" and become more accessible as the new millennium approaches.
 
Earlier this year the order, nowadays a charitable rather than military organisation, announced it was admitting women into its hierarchy for the first time in 900 years. The order's leaders, many of whom are of noble descent and take monastic vows of chastity, poverty and obedience, also emerged from seclusion to announce that they were campaigning to be allowed to return to Malta, from where the knights were expelled in the 18th century.
 
Until now tourists and residents have only been able to glimpse the tree-lined avenue of the Priory, with its breathtaking view of the Dome of St Peter's beyond, by peeping through a keyhole. A few have had access "by special arrangement". But for the next three months visitors can walk through the shaded gardens to the knights' holy of holies, the hitherto hidden church of Santa Maria del Priorato, designed by Giovanni Battista Piranesi (1720-78). The church, described by La Repubblica as a "secret architectural jewel", is the knights' richly decorated mortuary chapel, lined with the banners and medieval tombs of the Crusaders.
 
Previously glimpsed only from the Tiber embankment below, the church also contains Piranesi's own tomb, topped by a statue depicting him wearing Roman costume. Piranesi designed a giant candelabrum for his resting place, incorporating antique fragments from Hadrian's Villa. (which he mapped during excavations). But his descendants hated it, and it stands ( forlornly) in the Louvre in Paris.
 
Piranesi was commissioned to design the church by the then Grand Prior, Giovanni Battista Rezzonico, Pope Clement XIII's 23-year-old nephew. "Like the Rezzonico family, Piranesi was from Venice," said John Wilton-Ely, professor emeritus of the history of art at Hull University and a Piranesi expert. "It was a Venetian Mafia."
 
Professor Wilton-Ely, author of The Mind and Art of Piranesi and Piranesi as Architect and Designer, said that although Piranesi was an engraver of genius, selling his visionary designs profitably to aristocrats on the Grand Tour, he thought of himself primarily as an architect. "Piranesi re-designed the east end of St John Lateran, but the work was never executed for lack of funds. This is the only building he ever completed. It is extremely well documented. We even have the foreman's account book."
 
The church facade is a profusion of carved stone symbols: standards, swords and crescent moons for the heroic exploits of the Crusaders, as well as serpents (the ancient name for the Aventine was Mons Serpentarius), and ancient Roman and Etruscan images. When the setting sun falls across the facade in the evening, it resembles one of Piranesi's etchings in relief.
 
Inside are superbly preserved white stucco decorations and an extravagantly Baroque high altar. An exhibition of Piranesi's sketches drawn from the Vatican Library, the British Museum and other collections shows his almost manic energy and range, and includes his designs for ornate clocks and tables (only two Piranesi tables survive). "People thought Piranesi was quite mad," Professor Wilton-Ely said. Robert Adam, whom Piranesi influenced and admired, said Piranesi was wonderful in small doses and "a quarter of an hour will make you sick of his company".
 
Piranesi also incorporated the Maltese Cross, whose eight points are said to represent the Beatitudes (or the eight European powers involved in founding the order). The order was founded during the First Crusade in 1099 and received papal recognition in 1113. It moved to Acre in 1187, but under Saracen onslaughts withdrew first to Cyprus in 1290 and then to Rhodes in 1310. Hounded again by the Turks under Suleiman the Magnificent, the knights settled in Malta in 1530. After Napoleon seized the island in 1798 they made their home in Rome (after brief periods in Russia, Trieste, Messina and Ferrara).
 
Like the Vatican, with which it is closely linked, the order is a Catholic "sovereign state" with its own diplomatic service, and its properties in Rome are "extra-territorial". The order has permanent observer status at the UN. It is headed by a Scot, Andrew Bertie, who until his election ten years ago was a master at a Catholic public school in Britain. He now has the title of Prince and Grand Master, and is addressed as "Your Highness".
 
Count Carlo Marullo, Grand Chancellor of the Order, said women would be admitted to the order's decision-making bodies ``in accordance with the authentic spirit of Christianity and humanitarianism'' on the eve of the new millennium.
 
There are also hopes that Malta will return "a small piece of autonomous territory" in the form of Fort St Angelo, the scene of their most famous victory, where in 1565 they held out against besieging Turks and so stemmed the tide of Muslim expansion in the Mediterranean.
 
Malta's Nationalists, led by Eddie Fenech Adami, are less keen on the return of the order than the previous Labour Government. Franz von Lobstein, the Grand Prior, said many of the order's 11,000 members hoped to assemble in Malta in December to mark the knights' 900th anniversary.





SIGHTINGS HOMEPAGE