SIGHTINGS


 
Zapruder JFK Video
Expected To Ignite
New Speculation
By Mary K. Feeney
San Jose Mercury News
7-11-98

 
 
Monday, the questions will start all over again.
 
When the much-publicized video of the Zapruder film becomes available for the first time in retail stores, you can expect discussions about the assassination of President Kennedy to surface on TV talk shows and in dinner-table conversation.
 
The video program featuring Abraham Zapruder's original 26-second home movie, which has been digitally enhanced frame by frame, includes material not seen before because it was contained between the original film's sprocket holes.
 
The video's slow-motion close-ups are shocking, particularly those beginning with Frame 313: A shot explodes in a bloody cloud, and fragments of the president's head fall backward.
 
For those who scoff at the Warren Commission's report, who think the gunshots could not all have come from behind Kennedy, this visual evidence, widely available starting Monday, will strengthen their belief.
 
``This is going to reinforce, for probably nine out of 10 people, that John F. Kennedy was hit in the head from the front. And if so, two shooters. And two shooters means conspiracy,'' says George Michael Evica, a University of Hartford professor emeritus, author and senior editor of a journal called the Assassination Chronicles.
 
``Maybe nine out of 10 people, they see that head snap back. Jackie didn't do that, the car didn't do that. That's a hit from the front.''
 
Other assassination researchers disagree just as strongly with that conclusion.
 
The MPI Home Video documentary, titled ``Image of an Assassination: A New Look at the Zapruder Film,'' shows the painstaking steps in renewing the Nov. 22, 1963, footage.
 
The 45-minute video, retailing for $19.95, is being released to satisfy numerous requests for research, educational and personal use, ``balancing, as we have throughout the years, the public interest in access with our desire to protect against exploitation of this tragic event,'' Zapruder's son, Henry G. Zapruder, said in a prepared statement.
 
But the video release also reveals what most Americans may not know:
 
The original Zapruder film, locked away since 1978 in the National Archives in a storage vault kept at 25 degrees, is not intact. The film has two breaks in it, and, some have argued, perhaps more; four to 10 of the film's roughly 500 frames are believed missing.
 
The film was damaged by lab technicians at Life magazine, whose parent company, Time Inc., bought the rights to the film in 1963. The missing frames were evident as early as 1964, when the Warren Commission report was released.
 
 
 
Complete copies
 
Complete, unbroken copies of the Zapruder film do exist. Evica says a Secret Service copy appeared in a Lee Harvey Oswald mock trial presented on British television. But they are, nonetheless, copies.
 
An attorney for a company owned by the Zapruder family says the original Zapruder film is indeed missing frames. But it was used as a template for the video for reasons of authenticity.
 
``People want a reference to the original Zapruder film, not the copies,'' says Jamie Silverberg, an attorney with LMH Co., formed by Zapruder's widow, Lillian, and his children, Henry and Myrna.
 
Copies of the original would not include the area between the film sprockets, which function to drive the camera and projector but also contain additional bits of visual information, Silverberg says. The copies contain only the main film image.
 
The missing original frames are apparently lost forever. MPI had considered reinserting the missing frames from copies. But, Silverberg says, ``that wouldn't be an exact replication of the original Zapruder film.''
 
One of the breaks comes early in the motorcade footage, but the other occurs when the president's head is behind a street sign, near the time of the first gunshot.
 
``Researchers have always believed that something conspiratorial happened in (the missing frames),'' says H.D. Motyl, director of production at MPI Media Group in Orland Park, Ill. ``The fact is, that if people want to investigate or see those frames, they're available on copies.''
 
Abraham Zapruder died in 1970, but his name will always be linked with a sunny, deadly day in Dallas.
 
Zapruder, a Dallas dress manufacturer, filmed the parade with a Bell & Howell Zoomatic Director Series camera. Standing on top of a concrete pedestal to get a better view, he asks his assistant, Marilyn Sitzman, to steady him from behind should he become dizzy.
 
After the shots were fired and the president shot, he began screaming: ``They killed him! They killed him!''
 
Later, in an interview at the WFAA-TV studio in Dallas, Zapruder said he never stopped filming despite the horror before him. ``I saw his head partially open up, and I just kept shooting,'' he said.
 
On the day of the assassination, after reporters and a Secret Service agent found out about the film, it was processed and three duplicates were printed. Two duplicates were given to the Secret Service, which kept one and gave another to the FBI. Zapruder gave his copy and the original to Life magazine in return for $50,000 for print rights.
 
 
 
Film withheld
 
When Life publisher C.D. Jackson first saw the film the Sunday after the assassination, he apparently was so upset by the gruesome image of the president's head being blown apart that he urged the company to obtain all rights from Zapruder and withhold the film from public viewing until an appropriate, later time. Zapruder was paid $150,000 by Time Inc.
 
The film received its first public showing in New Orleans in 1969, after it was subpoenaed as part of District Attorney Jim Garrison's unsuccessful prosecution of businessman Clay Shaw. In 1975, it surfaced again, in bootleg form, on Geraldo Rivera's ``Good Night America'' talk show.
 
In the intervening years, scores of bootleg copies of the tape were made.
 
In 1975, Time Inc. -- concerned about how the film was being used -- turned the copyright of the film over to LMH Co. for a token payment of $1. The National Archives has maintained the film, as a courtesy, since 1978.
 
Evica believes the video may change people's minds about the lone-gunman theory, and as such, may provide a ``historic moment'' in the study of the assassination.
 
``What this film has always apparently showed is John F. Kennedy being hit from the front,'' Evica said.


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