Christopher Dunn
3-3-25

Christopher Dunn is a retired aerospace manufacturing engineer. He has published dozens of articles on ancient technology and has appeared on the History Channel, the Travel Channel, Discovery Channel, The Learning Channel, and PAX Television. The author of The Giza Power Plant and Lost Technologies of Ancient Egypt, he lives in Illinois.

Reveals how the pyramids of Egypt were sophisticated generators of clean energy

• Explains how the pyramids harmonized seismic energy, which enabled the harvesting of electricity and the mitigation of earthquakes

• Shares recent cutting-edge research on earthquake lights, acoustic frequency measurements and energy concentration within the Great Pyramid, the shafts of the Queen’s Chamber, the scorch marks that support the King’s Chamber explosion hypothesis, and the significance of the large void above the Grand Gallery

• Includes technical appendices written by experts and top researchers

Sharing extensive new evidence and cutting-edge research that the Great Pyramid at Giza was built as an energy-harvesting machine, Christopher Dunn details how the ancient Egyptians generated clean power for their civilization and reveals how the pyramid builders and the great inventor Nikola Tesla drew from the same universal knowledge.

Looking at each part of the Great Pyramid, from the internal chambers to its massive stone blocks to the pyramidion on top, Dunn reveals how the pyramids in Egypt served to stimulate the release and collection of electrons in the Earth’s crust by harmonizing seismic energy while also attenuating the accumulating stresses. Drawing on exhaustive ongoing research by NASA scientists into the phenomenon known as “earthquake lights,” Dunn shows how the pyramid builders were inspired by this phenomenon and learned to stress igneous rocks in order to harvest the resulting electron flow. He looks in depth at recent research that supports the pyramid energy theory, including new explorations of the shafts of the Queen’s Chamber and analysis of the scorch marks on the ceiling of the Grand Gallery, which supports the King’s Chamber explosion hypothesis. He examines the stunning significance of the large void above the Grand Gallery discovered in 2017. Dunn also analyses the results of extensive acoustic testing and measurements at ancient sacred sites and shows how the pyramids were tuned to the Earth’s frequency.

While the pyramids’ sophisticated energy-harvesting abilities are now in disarray and disuse, some remnants of their technologies are still there, waiting to be rediscovered and provide our civilization with an abundance of nonpolluting power.

Planet Earth. A Dynamic Energy Source with a 50-100 km thick layer of igneous rock that releases vast amounts of electricity when placed under stress.

Earthquakes occur when the fault zones in the Earth’s crust shift with the motion of the mantle. NASA physicist Friedemann Freund, PhD, developed a theory to explain the atmospheric phenomenon of earthquake lights—an electrical anomaly occurring in the Earth before, during and following earthquakes. Certain types of igneous rocks found in Earth’s mantle and crust contain dormant electronic charge carriers. Freund’s fundamental discovery found that when stressed, such as under earthquake conditions, these rocks function as a battery and release an electric charge which flows to the highest point on the Earth’s surface. Freund’s theory was tested in laboratory conditions by himself and others and proven to be correct.

See Dr. Freund’s TedX lecture in Christchurch, New Zealand on YouTube at

https://www.youtube.com/watch?v=B1yno8RjaFE&t=42s

Freund’s Laboratory at NASA where he successfully tested his theory.

Image credit – F. Freund

The Schematics of a Solid-State Power Plant.

A: Pulse Generator [AKA Subterranean Chamber]

B: Hydrogen Production Chamber [AKA Queen’s Chamber]

C: Chemical Inlet Conduit (Hydrated Zinc) [AKA Queen’s Chamber North Shaft]

D: Chemical Inlet Conduit (Dilute Hydrochloric Acid) [AKA Queen’s Chamber South Shaft]

E: Acoustic Amplifier [AKA Grand Gallery]

F: Acoustic Filter? [AKA Antechanber]

G: Resonant Cavity [AKA King’s Chamber]

H: Waveguide [AKA King’s Chamber North Shaft]

I: Microwave Pre-Amplifier [AKA The Big Void]

J: Power Output Shaft [AKA King’s Chamber South Shaft]

The Pyramids of Giza: Man-made mountains of stone as Electron Harvesters. Electrons that are stimulated to flow out of the lithosphere will seek the highest point on the local topography. With the Giza Plateau serving as a pulse generator to cause vibrations in the lithosphere, the pyramids attract and focus the electrons that are squeezed out of igneous rock below.

Top view of Power Center. Drawing by C. Dunn after R. Gantenbrink with dimensions from Gantenbrink and Petrie. The significance of the North Shaft, with its multiple compound angle bends cannot be overstated. There is no other way to interpret this evidence other than it exists to serve a much higher purpose. Before it was fully explored, these inexplicable features in the Great Pyramid were generally thought to be “air-shafts. Learning more about them has prompted some to awkwardly suggest they were/are “star shafts” or more esoterically “soul shafts” through which the King’s soul was directed towards the heavens. Unfortunately, none of these theories can explain the complications designed into the shafts. Nor do these theories explain why the shafts could not merely run straight to the outer surface. Is it possible that the Grand Gallery wall blocks are almost 13 feet (4m) thick?

Grand Gallery (Acoustic Amplifier).

Ante Chamber (Acoustic Filter or a Thermo Acoustic engine stack, as proposed by Eric Wilson? [see Appendix C]).

Kings Chamber (Resonant Cavity).

North Shaft (Microwave signal input).

South Shaft (Power output).

Mechanical complications that are designed into a product are engineered according to required outcomes. For instance, the more features a mechanical timepiece has, the more complicated its design and manufacture becomes. Drawing by C. Dunn based on R. Gantenbrink’s wire-frame CAD drawing.

While the King’s Chamber and Queen’s Chamber shafts have been described as “air-shafts” “star shafts” or “soul-shafts” for the King to use to exit the pyramid tomb and travel beyond, the evidence argues strongly against these theories.

Shaft A could be directed to the outside passing the Grand Gallery at a distance of 41.3 inches (104. 986cm) with just one bend. But it has four. Complicated. Why?

Shaft B is a theoretical air shaft that only has one bend.

Solution: Fingerprints of an ancient waveguide.

Waveguide enters the Resonant Cavity at the ¼ wave point where a standing wave in a resonant cavity has the highest amplitude. Similar to modern waveguide design, multiple bends are used. The Waveguide passes the Antechamber Acoustic Filter and Grand Gallery.

<CAP>Plate 12. Opening in south wall of Resonant Cavity leading to South Shaft. Author first observed the unique microwave horn antenna-like features of this opening and photographed it in 1986 (left image). Returning in 1995 and hoping to be able to gather geometric data using a die sinking profile gage, a ventilation fan, installed by Rudolph Gantenbrink (circa 1993), presented a barrier (right image).

North Shaft opening in the north wall of the Resonant Cavity. Dimensions of 8.4” wide by 4.8” high make it suitable for a hydrogen microwave signal with a wavelength of 8.309 inches (21 cm). Note: North and South openings are directly opposite each other.

Section of acoustic amplifier showing 8 of 27 resonator stacks.

A: East-West Cross Section. Resonator frames are locked into position using recesses cut into the side ramps. Vertical orientation is established by using the slots cut into the corbel along the length of the east and west wall.

B: North-South Cross Section.

C: Close up photograph of scorch marks on ceiling of Grand Gallery after the interior of the Great Pyramid was cleaned. Photograph taken in 2001.

D: The Grand Gallery illustrating the correlation between the pairs of scorch marks (E) and the resonator frames that were first discussed in The Giza Power Plant, 13 years earlier.

Robert Vawter’s spectra with Grand Gallery illustrating corbels responding at different frequencies to sound input. Note: This graphic is for visual effect and is not intended to suggest that the acoustic spectra gathered inside the gallery exists within the limestone wall blocks.