- Now, I'm a screenwriter so I'm claiming artistic license.
It's possible I just got ripped off by Tommy Lee Jones on a script I wrote
for him last year but will have to see the new movie in question. Anyone
who'd like to read it only needs to drop me a line and I'll email it to
you. Jones and his merry men at William Morris asked for the screenplay
and after three weeks said it was too hot. But they held on to it, I noticed.
And invited me to keep sending scripts with no agent involved. That
was very unusual and I thought flattering, but maybe not. I'm just revealing
this to show that I am a screenwriter. Steve McQueen intended to play me
in a 1975 screenplay about my adventures in Rhodesia but the ubiquitous
Jewish termites, led by my lawyer/agent (Sherwin Goldstein) wrecked the
project by making my character very unpleasant. They also called the terrorists
"freedom fighters," which caused me to flee to the oil field
to make my living. Thus began my Jewish awareness program. You'd think
I'd have learned by now, especially after Joel Silver Pictures/Warner Bros.
ripped off a 1994 script they asked me to write and made a TV mini-series
out of it ("FREEDOM"). My excuse is: Tommy Lee Jones is a Gentile
and a polo player like me!
-
- I'm also a Terrorist now, or the new word: insurgent.
So, this essay will walk the line between art and sedition, as they all
do.
-
- I'm thinking now that art trumps sedition, as we shall
see below.
-
- My kids, in their mid-teens, think I'm stuck in the '50s.
That's because I like to watch old movies and things such as "Rawhide,"
"The Rifleman" and "The Range Rider." They know
that I spent my formative years in the '50s, they know I'm a cowboy who
can't hardly believe how great the Hollywood stunt riders were, even if
they were pretty tough on horses. And I forbid the watching of R-rated
movies. So, maybe I am, in a way. In another way, I'm cutting edge.
-
- Have you seen the film DEATH OF A PRESIDENT?
- (This major motion picture is largely suppressed in the
U.S. See:
- http://www.amazon.com/Death-President-Widescreen-Hend-
- Ayoub/dp/B000MV8AAY/ref=pd_bbs_sr_1/002-9925383-
- 1071263?ie=UTF8&s=dvd&qid=1189227960&sr=8-1
-ed)
-
- Talk about cutting edge. They kill George Walker
Bush on film. A Black American veteran whose son was killed in G.W. Bush's
invasion of Iraq shoots him with a rifle from a high building. The feds
know who killed him but they frame a Moslem for the crime, in the best
Zionist tradition. Can't be giving other veterans ideas. They even have
Cheney giving Bush's eulogy, using his actual eulogy for Reagan. Extremely
clever and well done. And breathtaking in its audacity and concept.
-
- I wrote another one in the early '80s, called CONSPIRACY.
In it, an oilfield troubleshooter is hired by an independent oil company
to try to stop apparent acts of sabotage, committed to prevent the discovery
of a major oil deposit in New Mexico. The owner's daughter persuades him
to help her assassinate members of the private group that actually makes
the government's energy policy. I got offered a tremendous amount of money
for that one by an independent movie company. They'd already, in Detroit,
started filming their first project, starring Lee Marvin, Angie Dickenson
and Jonathan Winters. Mine would start filming in Houston next. Then they
showed the script to the movie department at Bank of America. He read it
and he freaked. He shut down the Detroit project and told them they'd never
make movies with BofA money. I pretty much lost interest after that, but
I kept writing just because I like to write screenplays. Hollywood is a
Jewish racket and they know what they're doing.
-
- So, I'm going to sketch out my next screenplay, which
I might call, BRING ME THE HEAD OF GEORGE WALKER BUSH.
-
- Now that I know you can actually assassinate Bush in
a movie and get away with it, I'm going to do it, too. That is, I'm going
to have my characters do it.
-
- First, I should explore the reasons why my characters
might want to assassinate George Walker Bush. The easiest and most logical
reason to kill Bush would be revenge, say that of a father for his dead
soldier child. But that was just done last year in the aforementioned DEATH
OF A PRESIDENT. There really must be thousands of fathers now whose sons
(or daughters!) were killed or maimed or lobotomized by Bush's invasion
of the Moslem lands. Untold thousands of foolish American victims, both
military and their survivors. If my son or daughter had
been tricked by 9-11 or some lying recruiter and got killed or destroyed
in Bush's unprovoked aggression against Islam, I'd likely go after Bush.
Or, If they even got some mystery illness from the eleven mystery
vaccines they are forced to take by the Army, I'd also go after him. And
Cheney. And everyone else I could kill that day or that week or that month.
I don't get why the fathers of the victims aren't holding Bush and Cheney
and the entire high command of the "Defense" Department accountable
for wasting their kids' lives and the lives of too many others to count.
-
- Or maybe I do get it. Maybe that's why my militia idea
didn't work out. Maybe because this is a Christian country.
Which is why I hate Christianity worse than I hate Judaism. If it weren't
for Christianity there wouldn't be any Judaism because all the Jews would
be dead. Judaism is protected and exalted by Christianity. Bush, if he
isn't actually a Jew, is a half-assed Christian drunk who lives to transfer
American wealth to Israel, the way Harry Hopkins lived to transfer American
wealth to Stalin.
-
- But the nagging question is why fathers, since at least
the time of Vietnam, never took revenge on Lyndon Johnson or Richard Nixon.
I can see why Roosevelt and Truman and Eisenhower weren't gunned down by
grief-stricken fathers, because of the excellent brainwashing by the Hollywood
zionist mafia in the Bogart Years, those exciting and glamorous 1940s.
-
- The Bogart Years were a wonderful escape from the degradation
and humiliation of the Steinbeck Years, which produced impoverished mass-murderers
such as Audie Murphy. This reminds me of an unusual movie I saw last month.
NIGHT PASSAGE, from 1957, starred Jimmy Stewart and Audie Murphy. The actor
and the killer, who became an actor because he'd killed so many Germans.
But who actually killed more Germans, Audie Murphy or Jimmy Stewart? Murphy
was credited with I think 241 dead Germans. Stewart, however, was a bomber
pilot during the war. He flew a B-24 Liberator and dropped many tons of
high explosives on German civilians in 20 missions, doubtless slaughtering
thousands. Stewart and his flying colleagues were the top war criminals
of World War II.
-
- Anyone who attacks civilians with weapons of mass destruction
is a criminal and bomber pilots are at the top of the tree.
-
- Truman and Ike got away with the Korean bloodbath because
Hollywood had made killing cool for ten intense years. But Vietnam was
different. Killing had been revealed as very un-cool by the 1960s. The
legend of the lone Lee Oswald had taken the fun out of killing a president,
as well. But if there were ever a couple of lying assholes who should
have been shot by vengeful fathers, they were Johnson and Nixon.
-
- Today, rather late in life, I'm a father of two kids
who are looking at the probability of the new draft. Neither one will register
for the draft at eighteen, on my orders, and I will terminate anyone who
tries to force them to do so. We won't be going to Ireland or Argentina,
although Argentina sounds great.
-
- Back to my film plot outline. I hate to give up the father's
revenge angle, but it's been done. What about a Moslem victim's revenge?
Pretty obvious and so predictable. Yet, why do you suppose no Moslem victim
has killed Bush and Cheney? Where are the suicide bombers when you need
them? Why haven't they followed us home from Iraq, considering we've already
slaughtered over a million of them? One awkward fact will make the Moslem
revenge angle a hard-sell: No Moslem has done a damn thing here in the
six years since 9-11 and we're pretty sure that no Moslem was involved
in that one, either, except maybe as unwitting agents of the US and Israeli
governments. Why do you suppose that is? Is it because Islam is almost
as passive and suicidal as Christianity? If not, then why does Israel still
exist?
-
- Now, in my last screenplay, called PICK-UP MAN, the suicide
bomber in Iraq is actually a guy whom the contractors order to drive to
the police station to get his papers. But they secretly put an IED in the
trunk of his car and explode it remotely when he gets there. Right
out of the news, of course. Several Iraqi motorists have complained that
they were set up just this way and luckily pulled over to inspect their
trunks, and then ran screaming away from their lethal loads. After Tommy
Lee Jones decided to pass on PICK-UP MAN, it was sent to Tom Selleck. The
reason for these two guys getting the script is because they're pretty
good horsemen, which is required by the script and its rodeo backdrop.
Selleck's agent actually liked it but she said that Tom would never go
for it because he's a Republican who supports the government. She said
that PICK-UP MAN is a drastic attack on the government, and he wouldn't
like that. I blame Selleck's sickness on Bill Clinton, the degenerate sex-maniac
who drove millions of normal Americans to the Jewish GOP in sort of a knee-jerk
reflex action, sort of a symbolic mass-vomiting.
-
- I mean, can you possibly imagine George Walker Bush being
elected president if A) he weren't the son of his CIA father and B) Bill
and Hillary Clinton hadn't just been occupying the White House? Now we
learn that our president amuses himself by passing noxious gas just before
visitors enter his Oval Office and then watching the discomfort and embarrassment
of his victims. I don't know of any cowboys who are capable of such psychopathic
behavior. You find this sort of behavior in mental hospitals and prisons.
-
- The outline. We can't use Dad's revenge or Moslem revenge.
How about labor revenge? How many millions of Americans have lost everything
after their jobs were exported by the Bush administration? Clinton's, too.
And Big Bush before that. How come none of these victims, whose families
went on welfare, has gone after Bush? Mainly because none of them could
afford it. It's hard to come up with a good rifle and bus fare to DC when
you're on food stamps.
-
- It gets hard to concentrate on revenge when you're trying
to score your next meal.
-
- This goes a way to explain why there has been no political
terrorism in America. First, there's no inclination. Whether it's the Christianity
or saltpeter or sodium fluoride in our toothpaste, there's no murderous
anger here. There is real terrorism, of course, which we're not supposed
to notice. Illegal Mexicans are murdering Black Americans and White Americans
as a matter of policy. The Mexican government is reportedly offering rewards
to Mexicans who kill US Border Patrol officers. The Bush gang supports
this murdering with its deliberate green-lighting of Mexican invaders across
the border. I think there's an outline emerging here.
-
- How about a young guy no, a young gal whose
family was murdered by Mexican invaders in her little Iowa town? She can't
go after twenty million Mexicans but she can go after the guy who let them
all in. This gal can go after George Walker Bush. How could she do this?
Well, obviously, she's really good looking. She might go down to her local
GOP office and volunteer as a campaign worker for Bush. But how about this
for a hook: All we know in the first act of the screenplay is she is a
hard worker in the Davenport GOP office. We think she actually likes
him. We don't know 'til the second act that she's planning to kill him
first chance she gets. She's so damn good-looking that the GOP guys all
want her and figure as a compromise that she'd look mighty fine on stage
with Bush when he comes to Davenport. Let's say he comes there and she's
up on the stage with him but she loses her nerve or her plans just don't
come off right. She's so damn good-looking on television that the national
GOP notices her and offers her a job in DC. We figure, because of
the writer's tricks, that she's going to get nailed in the Starbuck's near
the White House, or on her exercise walk through Ft. Marcy Park, or at
least bitch-slapped by Jeff Gannon and Karl Rove during a secret visit
to Lover Boy upstairs. But she avoids these traps and just keeps getting
closer and closer to her prey. Maybe she was a local Fox television personality
in Davenport, so Dana Perino has her liaise with Bush himself in the smelly
Oval Office, because she's so easy on the eyes.
-
- Even though Bush is queer, he likes to schmooze with
the beautiful people. Maybe he can embarrass her with his specialty. He
tries it. Next time she enters the Oval Office, she's wearing a gas mask
and Bush falls on the floor and nearly faints from uncontrollable laughter.
Our gal finally sees her way for revenge: Bush has on his desk a razor-sharp
fighting knife presented to him by the Randall Knife Company. She sees
it and asks why it's there? Bush says he likes to open envelopes with it
because it reminds him of his time in Vietnam. Looks dangerous, she ventures.
Shucks, not in the right hands, he drawls as he passes it to her. She takes
it and sticks it right in his throat. Then she gets behind him and quickly
saws his head off and, taking it by the hair, places it on his desk, arranging
the rest of the corpse in the chair.
-
- I'll have to work on the ending, some outrageous twist
that you'd never expect, the way the Hollywood guys do it. DEATH
OF A PRESIDENT, while daring and provocative, had no sex appeal and no
one you could root for. This one does. The gun goons couldn't use it because
she uses Bush's own knife.
-
- Then there's Cheney. I think a hunting accident is the
best device the screenplay could employ because it's not a real stretch.
Or one of our guys secretly in the Secret Service could have Cheney approach
a Free Speech Zone "by mistake." The guy tells Cheney it's a
bunch of supporters but when a shocked protester sees Cheney coming at
them, he jumps up and down, forcing the agent to attack him with his TASER.
The agent misses the protester and hits Cheney, blowing the circuit in
his Pacemaker. The hunting accident is probably better and more satisfying.
His lawyer's .30-'06 into that snarling mouth would give us a fine last
view of the Decider and send a hell of a message to the war lords of Washington.
That could help the gun goons but who cares. They need help these days.
I kind of miss their whining.
-
- But I've still got to tie in the title, BRING ME THE
HEAD OF GEORGE WALKER BUSH. We've got the head actually cut off but now
we've got to have it brought somewhere. Bush's sex and power club actually
collects people's heads and puts them on display and uses other people's
skulls in ceremonies. So maybe the top honcho of Skull & BonesJ demands
the head be brought to The Tomb, for sentimental reasons, after our gal
cuts it off. The new Warren Oates character swipes it from Walter Reed
and fights off a number of Mexican hit-men and also gringo killers, just
like the Peckinpah original, as he makes his way from DC to New Haven to
deliver the head for a billion ameros.
-
- I think this works.
-
- This film screenplay essay should qualify as another
count in my expanding indictment for Terrorism.
- So, what is Terrorism? According to our lexicon, it is
the forcing of political change by killing some civilians and creating
power over the rest of them. It is the first form of mind control. This
was first seen in the modern era in France, starting in 1789, but was something
that all tyrants use. Guerillas, or insurgents, fight and kill soldiers.
Terrorists kill civilians. This was how it was explained to us in Rhodesia
as we came to grips with Terrorism. The rats we were fighting were supplied
by Red China, Red Russia, Red America, Red Britain and Red Israel. Weapons
and ammo were supplied by China, Russia and Israel. All other terrorist
necessities, such as money, clothing, boots, medicine, food, booze came
from the World Council of Churches. America and Britain supplied the political
pressure to surrender. It really took a village.
-
- But I think we should have a look at Terrorism, as it
is being exploited to shut down dissent, travel and our lives in general,
and figure out how to deal with the accusation by our government that we
are all potential Terrorists who must be run by Total Information Awareness
and the Department of Homeland Security.
-
- Terrorism, as it is waved around by Homeland Security,
doesn't exist except as a boogyman scam. I'd think even the dimmest bulb
in America would realize by now that there are no Terrorists doing anything
against the precious Homeland. There are certainly some Moslem freedom
fighters resisting the US holy war against Islam in Iraq and Afghanistan,
but that's it. They're doing what they're supposed to be doing fighting
our unprovoked invasion of their world. We should be killing anyone in
our government who, in our name, kills or even harms anyone who has done
nothing or threatened nothing. Murderers should be killed. Capital punishment
can work. In this case it would also be Capitol punishment. But
the word "Terrorism" is a code-word for the refusal to give in
to Jewish Zionist aggression. If you don't do what the Jews want, you're
a Terrorist. Homeland Security is run by a Jew who can't even pretend to
be a true-blue American. Chertoff is, as is well-known, an Israeli. He
hired a couple of Communist Jew refugees from the failed East Germany and
Soviet Union to design the internal passport system and the PATRIOT Act.
-
- "PATRIOT" stands for "Provide Appropriate
Tools Required to Intercept and Obstruct Terrorism."
-
- But Terrorism isn't working for them now. For it to work,
there has to be some actual Terror going on. The mighty Internet has no
doubt wrecked Chertoff's plans to terrify us into submission, heaping scorn
and derision on their Shock and Awe event of 9-11. If 9-11 collapses,
their whole Homeland Security enchilada disintegrates, as it is doing.
Yes, we hear that something awful may happen in a few days. All I can say
is, it had better or they can kiss their Talmudic dreams goodbye. But even
if they nuke San Francisco, most people realize that only the US government
and Israel could pull it off.
-
- I keep getting back to the punishment phase of this massive
criminal case. Their crimes are enormous, almost beyond comprehension.
Millions dead since 1991, more millions dispossessed and dying of DU dust
and broken hearts. Our war criminals must be punished in ways that will
impress the rest of the world that we are in charge of our own country
and government. I'm not calling for trials in this rotten legal system
of theirs. After all, Chertoff is now positioned to replace Gonzales as
Attorney General! I am calling for civilian executions of our war criminals.
-
- The only ones who can be called Terrorists are the ones
who have initiated force against civilians (actually killed them) for political
purposes. A person whose parents' house was bulldozed by an Israeli Army
Caterpillar (made in Peoria, sent as a gift from America) who then blows
himself up in an Israeli coffeehouse is not a Terrorist he's just
getting even. A pilot who flies over a city and drops a bomb on it is a
Terrorist, along with the president who authorized him to do it and every
single person involved in the war crime including the mechanics who serviced
the bomber. There is no more heinous crime than war crime. Anyone who commits
war crime should be erased from this earth because he is a psychopath (no
conscience).
-
- If we keep refusing to act against the psychopaths who
have seized political power here, we're doomed. We're finished as men and
our children are doomed because our victims are going to get even. There
is no way to avoid this earned retribution other than the swift destruction
of the monsters who run our government and a declared new foreign policy
of non-aggression.
-
- --J. Bruce Campbell
- jb_campbell@yahoo.com
-
-
- Comment
-
- Jim Kirwan
-
- Outrageous & provocative: but also a cautionary
exploration of national & private attitudes and their potential
effects on real motive and outcomes . . . from a screenwriter who
obviously knows his way around the cesspool of Hollywood.
-
- Those who believe in the black & white world of political
absolutes ~ will go ballistic ~ but anyone who knows the history of
Hollywood's deals and their official role as psyop's leading national advocate
in their unofficial fifth branch of the New World Order - will
definitely understand this tale - which will probably outrage ordinary
people.
-
- This is what makes writers and artists so dangerous to
the powerful, and it's also why governments always try to co-opt creative
people everywhere. . . just as they have already succeeded in doing here!
-
- kirwan
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