rense.com

Absurd 'Review' Of Mel
Gibson's 'Apocalypto'

By Michael Goodspeed
Thunderbolts.info
12-9-6

It would be wonderful if we lived in a culture devoid of illogic and hypocrisy, where ignorance and emotional reactivity were not traits conditioned by media and handed down from one increasingly diminished generation to another. In such a culture, the populace would be well-informed and powerfully independent, nearly impervious to propaganda, and unafraid to speak the truth as they believe it in their hearts. But this is not the culture we live in. Not by a damn long country mile.
 
One of the greatest impediments to a truth-driven culture is "political correctness." Let me be very clear in my complaints about pc's influences. I am not one of those phonies who tears down the straw man of "pc thuggery" in order to justify a personal prejudice. It's not "politically incorrect" to be racist, sexist, homophobic, xenophobic, or anti-semtic; it is inhuman and pathologically stupid. As a human being, my own humanity is irredeemably reduced if I choose to view another as anything less than intrinsically equal. This is the paradigm I live in, and it is dramatically contrary to the "politically correct" paradigm of 21st century America, as defined by popular media.
 
The evidence of this is everywhere. We all witnessed the preposterous, overblown hysteria resulting from the respective "racist" and "anti-semitic" rants of Michael Richards and Mel Gibson. The boundaries for any "discussion" of these absurd fiascoes were immediately set by pc media. In the Richards case, inanity has turned to insanity, with some talk of the men at whom Richards spewed racial epithets pursuing LITIGATION against the comedian. (Imagine if every person who had been called a name in a bar or comedy club filed a LAWSUIT against their antagonizers.} Few seem to recognize the most obvious explanation for Richards' onstage obscenities: He is, was, and always has been an overachieved comedic actor with no real talent for the art of stand- up. His routine was bombing badly, and in desperation, like so many of his comedic predecessors, he tried to be shocking when he couldn't be funny. (This phenomena could be witnessed quite painfully among many early female comics, who presumably felt obliged to be outrageously vulgar.)
 
Coverage of the Gibson case has been even more distorted and overblown, undoubtedly due to pre-existing accusations, based on Gibson's film The Passion, of anti-semitism against the actor/ director. The Gibson-directed movie "Apocalypto" opens today, and it does not take a psychic to know that the vast majority of film reviews will focus largely on Gibson's DUI-related comments.
 
Consider critic Shawn Levy's "review" in today's Oregonian newspaper. In FOUR of his article's NINE paragraphs, Levy rages over Gibson's "despicable heart and mind." Levy introduces his piece with an interesting assertion: "Let's get it out of the way: Mel Gibson has some hateful thoughts in his head, and some of them slipped into the script of 'The Passion of the Christ,' and quite a few more of them splashed out when he was arrested for drunken driving this summer." (One wonders how Levy can read anyone's mind, even one as supposedly "transparent" as Gibson's.)
 
What is particularly strange about this "review" is that Levy repeatedly states that Gibson's personal beliefs are not his (Levy's) focus. He begins the second paragraph with the statement: "But the purpose here is not to review the soul of Mel Gibson. It is to review 'Apocalypto,' a film he has directed."
 
But by the THIRD PARAGRAPH, Levy still has not gotten over it. He writes: "For the record, then, Mel Gibson is to be stayed away from, even for purposes of study. He is to be shunned. A committee should be formed to boycott him. But the job here is to forget about Mel Gibson and focus on 'Apocalypto.'"
 
Indeed, that is the job of people like Levy, and at that, he has failed miserably. In concluding his piece, Levy again picks up his proverbial hammer and drops it on Gibson's head: "It's possible for a despicable heart and mind to make great art."
 
Let me see if I understand Mr. Levy's reasoning: Mel Gibson is more despicable than any other person in Hollywood because he made some nasty comments about Jews while being arrested for a DUI. In fact, he is so despicable that nearly 50% of any "review" of his films must be devoted to personally denigrating him. One wonders why Levy considers Gibson more despicable than, say, Roman Polanski, a PEDOPHILE who is nevertheless almost universally celebrated by Hollywood critics. And why, for that matter, is Gibson more despicable than Spike Lee, an overt racist who once advocated the murder of Charlton Heston?
 
I've been reading Levy's reviews for years, and don't recall him ever offering such a melodramatic personal indictment of any Hollywood figure, for any reason. Tell me, Mr. Levy, is speaking hatefully of Jews -- while heavily inebriated, no less -- worse than CHILD MOLESTATION, or the advocation of MURDER?
 
Levy's most laughable blunder is that he barely mentions what landed Gibson in trouble in the first place: The man was DRIVING DRUNK and endangering the lives of innocent people! If one is going to view Gibson as "despicable," it should be for that reason, and not any slurred, spittle-laced profanity that spewed from his mouth while he was bombed out of his mind. But in the twisted, movie- freaked fantasy world of Shawn Levy, a drunk driver has moral superiority over an apparent anti-semite every day of the week and twice on Sunday.
 
The problem with people like Levy is NOT that they have no tolerance for hatred. It is that they accept and even encourage hatred, as long it is consistent with the current, pc-driven cultural climate. In my opinion, calling a human being "despicable" over and over again in a purported movie review is reflective of a hateful mind. But I'm sure that Levy considers his own hatred justified, since it is directed against a member of a currently unpopular social demographic: A middle-aged, white, Christian heterosexual male who seems to possess some personal prejudices.
 
Flim critic Shawn Levy represents a paradigm of selective hatred shaped by cultural programming. In fact, pc media drones like Levy help create a climate that is antithetical to the American ideal of intrinsic equality for all humans. This is a climate where absurd and indefensible "hate laws" are passed, laws that deem the act of "murder" more "hateful" when motivated by prejudice against very selective groups of people. It is a climate where the utterance of certain words is viewed as despicable, unforgivable, and worse than reckless and/or violent behavior. It is a climate where people are not taught to love everyone equally, but to hate whomever is currently vilified in the "politically correct" popular media.


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