- Sender, Berl & Sons Inc. originally covered in 1997
Princess Diana's accident, death and investigation. In fact, Google "Diana
ambulance" or "Diana Brenda Wells" and SenderBerl has kept
its leading position on Google pages for over a decade. SenderBerl's
"open issues" web page is as relevant and vibrant today as it
was in 1997. See www.senderberl.com/diquestions.htm.
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- Now, a decade later, SenderBerl has new facts and evidence
before it that allows it to expand on the evidence it presented ten years
back: that Diana's accident was no accident but an assassination. New
photographs released as part of the Inquest regarding Princes Diana shows
us that those photographs were doctored, that the photographs were taken
seconds before Diana's death, that Henri Paul was intentionally blinded
to impair his ability to properly handle the Mercedes, and in our opinion
the evidence clearly shows us that the man taking the photographs in issue
was part of the team assembled to implement Diana's accident.
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- If the Ritz videos were not available, as they are to
us today due to the fact that Dodi Fayed's father, Mohammed al-Fayed,
was the owner of the Ritz Hotel in Paris, France, we could never know
what we offer you herein. The official Inquest videos are viewable at
http://clients.mediaondemand.net/judiciary/inquest/. They are over two
hours in length and they first and foremost show that contrary to the
lies rendered in 1997 that Henri Paul was not only fully sober but part
and parcel of a covert scheme allowing a limited number of "paparazzi"
to be present when Diana and Dodi made their escape from the Ritz Hotel
Service Exit.
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- PART ONE
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- First, let us begin with showing you the two photographs
in issue
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- The first thing to notice is that the brightest light
from whatever its source is on Henri Paul. Since Diana is the person of
primary interest for the paparazzi photographers, the question that immediately
arises, especially with Diana looking back, is why is the brightest light
on Henri Paul? Moreover if you can focus on that white circle behind the
car, and further noting Henri Paul's hand positions on the wheel, the
car is moving and obviously then the light source is immediately in front
of the car and further something is of definite interest and concern to
Trevor Rees Jones, the bodyguard (and to Diana in turning her head to
look out the back window).
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- Next, you can see in Photo 1 that the car was on an incline
and then a second or to later the roadway is leveling off. Lastly, if
you focus on the back of Diana's head in Photo 2, as we now do....
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- you can see that the back of her head has been subject
to photo manipulation/distortion. By comparison, here is the back of her
head in Photo 1.
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- Now, due to the Ritz videos, we can also deduce that
the back of Diana's head in both photos were digitally tampered with:
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- The first photo above was taken six minutes before Diana's
accident and the second photo eleven minutes before the crash in the Alma
tunnel.
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- SenderBerl has seen a copy of Photo 2 different from
the one now offered. On October 2nd we offered the following to our global
geopolitical audience concerning our comment regarding the photo we had
originally seen:
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- "Since finding these photos is not that easy and
since they may disappear I wanted to note one more photo. What do you
find interesting in this photo regarding issues of light and shade? Answer:
This photo could be very important. Why is the brightest light on the
driver's face? Where would a photographer have to be to realize such a
flash effect on the driver?
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- Alas, let me see if there are people out there who will
now use this compelled evidence to connect dots long connected by me in
the analysis of this event -- or will the issue soon disappear as an
event long past its prime?
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- Diana is looking back -- she is the person of primary
interest. The photos should be from back to front or if front to back
on her side of the car meaning that Trevor's face should carry the highest
light reflection."
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- The photograph that we originally saw showed very little
light on the back of Diana's head. Now, the one offered not only shows
light off the back of her head but is clearly without question digitally
tampered with. If we had seen this photograph we would have immediately
noted the digital tampering which is crystal clear and evident.
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- So the question is why the need to tamper with this photograph?
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- The answer connects to the contention that Henri Paul
was blinded by light to impede him from defending himself and the occupants
of the car as the Mercedes was directed into the 13th pillar of the Alma
Tunnel to invoke the accident.
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- Thus if the back of Diana's head has little light on
it and Henri Paul's face has intense light on it, then this proves that
Henri Paul was intentionally blinded, and thus you have an essential part
of proving that Diana's accident was no accident at all.
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- Thus, the original photo we saw was central to this contention
in that Henri Paul's face had even more light intensity on it, Trevor
Rees Jones had less intensity, and Diana barely any at all.
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- In the current version, the photograph from where we
sit, shows less intensity than before on Henri Paul's face, more on Trevor
Rees Jones (but still far less than Henri Paul), and the bright spot
on Diana's head digitally rendered (in both photos) to diffuse the clear
import of her having little light on it at all.
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- Thus, on October 4, 2007, two days later, there was a
dire need for those seeking to mask the import of these photographs to
contend that they were taken not a second or two before the accident but
earlier than that. Those seeking to mask the truth of the assassination
were desperate and thus in view of the Ritz videos they hung themselves
as this paper intends to prove.
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- However, before we get to that discussion, it is important
to note that the entrance to the Alma tunnel involves a steep incline
and the photos themselves attest that they were taken while the Mercedes
was traveling down that incline. Moreover, with Diana looking back, photographers,
if on foot, and the photos taken at the time officially alleged to have
been taken (outside the Ritz), would have simply moved around the car
to take the photos from the back and side not the front, with Diana turning
back (but none to our knowledge have been produced). However, not only
does the photographer, if on foot, fail to move back, but he focuses on
Henri Paul, and further there are no paparazzi behind the car taking
photos they otherwise would crave for front pages of global newspapers
( Diana looking back behind her)! Thus, the official version connective
to the two key photographs is problematic. See also http://www.youtube.com/watch?v=NJhM68U-_yA.
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- Sender, Berl & Sons Inc. long offered the reason
she was looking back. Princess Diana was looking to Dodi Fayed for protection,
she long fearing that her life was in jeopardy post her royal divorce.
Diana not only did not recognize perhaps some of the people chasing the
Mercedes by car and motorcycle, but at the point she was turning back,
the slip roadway, which Henri Paul needed to exit, to get directly to
Dodi's apartment, was blocked. Thus, this forced Henri Paul into the Alma
tunnel and Diana was obviously concerned, as was Trevor Rees Jones from
the fact that those taking the photograph were immediately in front of
the car forcing Henri Paul, as some witnesses to the accident expressed,
to brake and blow his horn.
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- Tack onto these realities the one that Brenda Wells,
the person who was blocked from entering the roadway into the tunnel by
two motorcycles, to preclude her from being a direct witness to what
took place in the Alma tunnel a seconds later, was told as a matter of
fact by French police to disappear, which she has, then the evidence speaks
to a planned assassination on Princess Diana's life. Moreover, do not
discount the reality that Diana not only was concerned that the slip road
was blocked forcing the Mercedes into the tunnel but she could have further
noted two motorcycles blocking Brenda Well's car from entering the tunnel
as the Mercedes she was in was doing so!
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- PART TWO
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- This is the news report emanating on October 4, 2007,
regarding the place where the photos were taken:
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- Two photos shown to the inquest on Tuesday, taken by
French photographer Jacques Langevin, apparently are the last taken of
Diana before the crash - though only her hair is visible.
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- The time is 12:20 a.m. on Aug. 31, 1997. About 10 minutes
later the Mercedes had slammed into a pillar in the Pont d'Alma tunnel.
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- Langevin was prosecuted for invasion of privacy for taking
two photos of the couple leaving the Ritz, and he and two other photographers
faced the same charge for taking pictures of the car shortly after it
crashed.
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- Langevin was acquitted of the charge involving the Ritz
photos.
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- Following a series of appeals, Langevin, Christian Martinez,
and Fabrice Chassery were fined $1.42 each by a Paris appeals court for
the tunnel photos
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- THIS IS A LIE. Why do we contend that this is a lie (among
a series of lies we detailed in 1997 and highlight below)? If you stay
with the Ritz videos to near the bitter end, you will see Princess Diana
and Dodi Fayed entering the Mercedes and driving off and there is no
flash or bright lights or anything of that order in the video. In fact,
while Jacques Lengevin was present in the immediate area, by his own admission,
he was not there to operate as a photographer at all as he himself proves
by his original statements made concerning where he was at the times in
issue:
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- http://images.google.com/imgres?imgurl=http://www.bbc.co.uk/
politics97/diana/rat3.jpg&imgrefurl=http://www.bbc.co.uk/politics97/
diana/ photo.html&h=159&w=160&sz=24&hl=en&start=1&sig2=Ai4Ukw1Jc7In0bkPegSHvw
&tbnid=RXuZ6mJbx2t6oM:&tbnh=97&tbnw=98&ei=ED0QR4XWEoiQeeOX2OwK&prev=/i
mages%3Fq%3DRomuald%2BRat%2B%26gbv%3D2%26svnum%3D10%26hl%3Den
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- Langevin: condemns paparazzi who fled accident
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- In an interview for American TV, the French photographer
Jacques Langevin, also arrested after the tragic accident that killed
Princess Diana, said he was not among the paparazzi "killers"
who chased her through Paris.
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- "I am not paparazzi," Langevin told CBS Television.
"On this story, I work in the respect of the law. ... I arrived after
the police, after the ambulance people. I am charged now and I cannot
accept that."
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- Mr Langevin said he was assigned by the Sygma Agency
to go to the Ritz Hotel on Saturday night and take photographs of Diana
and her companion, Dodi Al Fayed.
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- "We knew she was coming out of the hotel. A car
came quickly... so I shoot pictures of Diana leaving the hotel (and) of
the two inside the car through the window," he told CBS.
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- Mr Langevin said Diana put her hands in front of her
face to shield herself from flashes and after taking the photos he left
to rejoin friends for dinner. He told CBS he had arrived at the scene
of the accident by chance about 15 minutes later.
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- The award-winning photographer, who has covered combat
in Bosnia and the Gulf, said he did not immediately recognize the wreckage
as the car containing Diana, Al Fayed, their driver and Diana's bodyguard
"because in my mind I couldn't accept that was the car I saw near
the hotel".
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- Commenting on witness claims that some paparazzi who
chased the vehicle took pictures of the victims after the crash and sped
off before police arrived, Mr Langevin said: "It's unacceptable.
They are not photographers. They are - I don't know, but they are not
journalists. In a way, they are killers."
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- The Ritz videos attest that Henri Paul made a covert
deal allowing a handful of people to position themselves outside the service
entrance where Diana and Dodi would and did in fact exit. Among those
thus present, by his own admission, due to this secret deal, was Jacques
Langevin, a person with credentials making his appearance on a late Saturday
night, to capture pictures of Dodi and Diana that were available all day
long, all the more noteworthy.
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- While the large crowd was waiting for Diana to exit from
the front of the Ritz, Henri Paul, deputy director of security of the
hotel, was making plans for Dodi and Diana to exit the hotel from the
service area and then take one car without the Range Rover that usually
backs them up to Dodi's apartment. What is significant is that Henri Paul
keeps Diana and Dodi waiting an inordinate period of time in the service
area of the hotel. The following video frame shows them in the area at
12:11 AM Sunday morning, August 31, 2007:
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- What we see for the first time on the Ritz videos is
that Diana, having to stand their waiting, finally shows Henri Paul her
watch questioning the delay. Thereafter Henri Paul moves them into the
car, notably nine long minutes after their arrival in the service area.
Why the delay? During those nine minutes Henri Paul is seen exiting the
service area multiple times, one time openly waiving to hiS three or four
"paparazzi" confidants in the area, privy to the exit route.
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- Motorbike arrives 12:07 AM four minutes before Diana
and Dodi enter the service area. The driver sees he is in the direct line
of the security camera so he moves himself and his motorbike out of camera
range.
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- On the other hand, the few "paparazzi" with
inside knowledge of where Dodi and Diana would exit, stand in waiting
across the street, thinking they are outside the range of the Ritz security
camera. Henri Paul comes out, sees them, checks inside the office, confirming
they are on camera, and waves them off to move, and they immediately do
so.
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- Princess Diana, who with Dodi is standing there unaware
of the true reason for the delay, becomes impatient and flashes Henri
Paul her watch to indicate that she would want to move forward, Henri
Paul, signals her that it won't be much longer, and then, twenty seconds
later, once Diana complains, things move quickly.
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- The Ritz video then shows the following:
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- 12:19:50 Diana and Dodi exit the Ritz from the Service
Exit
- 12:20:17 They quickly enter the Mercedes
- 12:20:23 Mercedes leaves the area
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- THERE ARE NO SIGNS OF THE USE OF ANY FLASH BULBS OR HIGH
INTENSITY LIGHTS ON THE CAR OR ON ANY OCCUPANT OF THE CAR. THIS IS ALSO
VERIFIED BY A SECOND RITZ SECURITY CAMERA CAPTURING DIANA'S AND DODI'S
ENTRY INTO THE MERCEDES FROM BEHIND THE MERCEDES.
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- Jacques Langevin by his own admission was there and those
there were not there to photograph Diana but ready for the chase on a
route they knew in advance would drive the Mercedes into the Alma tunnel.
The delay was to put those involved in place including those needing to
block the slip exit and entrance off the Alma tunnel and otherwise get
the crew in place to also assure Diana's death as SenderBerl presented
in 1997 and as we, immediately below, in Part III, review here for you.
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- PART III
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- SenderBerl released the following guide to refresh its
global group of readers of some material events it presented in 1997 regarding
Diana. Now, with the additional facts above, everything easily falls
into place.
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- SENDERBERL KEY GUIDE TO UNDERSTANDING THE TRUTHS RE DIANA
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- This reference was very hard to find from mainstream
news sources:
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- Source: http://www.cnn.com/WORLD/9708/30/diana.dead/
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- Several motorcyclists were detained for questioning after
the crash, police said. A badly damaged motorcycle was taken from the
scene of the accident by police.
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- Ehrlich: Never explained who was on it and how it got
damaged.
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- ===
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- Look how the BBC first put it on August 31 (1997):
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- Source: http://news.bbc.co.uk/onthisday/hi/dates/stories/august/31/
newsid_2510000/2510615.stm
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- Mr Al Fayed and the chauffeur died at the scene but the
princess and her bodyguard were cut from the wreckage and rushed to hospital.
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- Ehrlich: To say that Diana was rushed to the hospital
is a historic lie.
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- Di's bodyguard Trevor Rees-Jones survived the crash but
only has vague memories of events leading to it.
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- Ehrlich: Have vague memories or die. Link this to our
discussion regarding Pat Tillman.
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- ===
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- Guardian put forth the BS regarding the assassination:
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- http://www.guardian.co.uk/uk_news/story/0,,768041,00.html
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- Several other decoy cars are understood to have been
driven away to lure the photographers off. But the ruse failed. The 'paps'
were smarter than that. After half an hour, the couple left the rear
entrance of the Ritz around midnight.
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- They were snapped as they got into their car, an armour-proofed
Mercedes. The French Ritz driver had had little practice with the car,
which handled in a peculiarly heavy way.
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- Ehrlich: They pushed this BIG LIE but could not get away
with it. Now, it is all but conveniently forgotten.
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- The broad square of the Place Vendome is normally deserted
by that time of night, the jewellery boutiques and antique shop for the
super-rich long since closed for the evening. But as Diana and Dodi sped
away, the photographers leapt onto their motorcycles and the buildings
echoed to the screech of tyres.
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- Their route would have taken them along the perimeter
walls of the Jardin des Tuilleries before they entered the expanse of
the Place de la Concorde, where the traffic flows four or five cars abreast
over the cobblestones. Here, the French chaffeur made his first attempt
to dodge the pursuing paparazzi riding BMWs. But his attempts to outmanouevre
the photographers failed. They, after all, were old hands at the deadly
game of car chasing, and he was not.
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- The Mercedes then sped on towards the Seine and Dodi
's home. The dual carriageway exit to the west, along the Cours de la
Reine, funnels the vehicles into a narrower raceway with a low, central
dividing wall. The natural temptation here is to accelerate. Because
of this the speed limit is set between 35 and 50 mph. The Ritz driver
did accelerate - according to some reports, as fast as 95mph.
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- Across the river, the bulking profile of the Eiffel Tower
shot into vision as the Mercedes raced along. Through, first one shallow
underpass, illuminated by yellow strip lighting from frosted glass panels
one one side.
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- 'You should never drive along there too fast,' a woman
taxi driver said yesterday. 'Take care when you approach the second tunnel.
It swings to the left just as you go down. There have been accidents
there before.'
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- With the paparazzi still in close pursuit, the Mercedes,
carrying Diana , Dodi and their bodyguard, Trevor Rees-Jones, made another
attempt to accelerate away. Diana and Dodi were sitting in the back seat,
without seatbelts. At least seven paparazzi on motorcycles were in hot
pursuit.
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- As the car swung left and raced into the second underpass,
below the Pont de l'Alma, the driver appears to have lost control of the
vehicle. Skid marks, streaked with black paint were visible yesterday
on the central dividing wall marking the point where the vehicle veered
to one side.
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- Ehrlich: With the release of those doctored photos we
now know someone was in front of the Mercedes.
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- The huge Mercedes ricocheted off an opposite wall before
slamming into the 13th pillar supporting the tunnel roof, and rolling
over two or three times.
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- The pursuing motorcycles appear to have braked before
they reached the wreckage. But even in the awful aftermath of the crash,
there was money to be made and, it seems, the prospect of a final ghoulish
exclusive.
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- According to French radio, several of the photographers
took pictures before help arrived. One of them was beaten at the scene
by a horrified witness. An eyewitness, speaking on BBC Radio yesterday,
said: 'Initially when I approached one (photographer) was even taking
pictures. Even before I could run the 50 yards into the tunnel, he was
there. His camera equipment was far more sophisticated than that normally
used by tourists.' The fire brigade received their first call at 12.27am
from some American tourists who had heard an enormous bang. The Mercedes
had partially fallen on its roof, crushing it and forcing the engine back
into the driver's and passenger's compartment. The car's heavy radiator
had been thrown into the front.
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- It was a catastrophic accident. Dodi , aged 42, died
instantly in the crash. The French Ritz chaffeur was also killed on impact.
Diana was still alive - just. But she was gravely injured and trapped
in the tangle of crumpled metal and broken glass.
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- Two American tourists were the first on the scene. Tom
Richardson, from San Diego, said he saw smoke, adding: 'I think the car
hit a wall. A man started running towards us telling us to go.' His friend
Joanna Luz added: 'The horn was sounding for about two minutes. I think
it was the driver against the steering wheel.
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- Ehrlich: Critical side stepped facts.
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- 'There was a photographer on the scene within five seconds
of the crash. As we were running out of the tunnel police and others were
running in but it took around five or seven minutes for them to get there.
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